Workshops using Storyweaver in Nepal and Ethiopia – get involved as translator now!

Over the last three weeks, we at the Global Digital Library have conducted workshops in Nepal and Ethiopia, as a part of the initial phase of our project. These user tests are an important part of our work as they provide us with initial user feedback on prototypes and personas. For both workshops, we have made prototypes based on a great mix if content and tech from different open sources and OER projects including resources from Storyweaver by Pratham Books. 

Localization using Storyweaver

Localization and translation will be an important part of our work and as a point of reference, we have tested both our own tool for localization and a tool developed by Storyweaver.

We at the GDL project are in the early stages of developing our platform, but if you want to join the community of translators now, you can start using Storyweaver. Our friends at Storyweaver have developed a great website with stories and books that you can read or translate into you own language.

To prepare our workshops we made this tutorial that also can serve as the first practical introduction for anyone that wants to join our movement of translators, using the Storyweaver platform. Check out this 4-minute video to get you going!

Link

NDLA technology reused by 14.000 websites worldwide

Over the last couple of years, the NDLA team have been working to replace Flash-based applications and interactive learning objects. NDLA also needed a tool to make it easy to create, share and reuse HTML5 content and applications. We started developing a new tool in public-private partnership with Joubel, a tech startup in Tromsø, in the northern part of Norway. This collaboration ended up as a project and product called H5P.

H5P is at the time of writing installed on over 14.000 websites. H5P is reused by many universities, large companies and smaller personal websites worldwide. It´s great to see this kind of reuse and in the long run, this will make the platform more sustainable, also for NDLA.

The team developing and designing H5P have been set up with the best product developers from NDLA and designers and developers from Joubel. This kind of public-private partnership is essential to NDLAs innovation process.

In H5P, all you need is a web browser and a website with an H5P plugin. H5P empowers creatives to create rich and interactive web experiences more efficiently.

H5P is a free and open source tool that helps you create HTML5 content in the browser of your choice and share it across all operating systems and browsers. Check out the list of different content types.

As H5P is open source there are no “strings attached”. Anyone can reuse both content and technology without asking Joubel or NDLA for permission. One of the universities that have reused H5P is Colorado.

How to use H5P?

H5P is a plugin for existing CMS and Learning Management Systems (LMS) systems like WordPress and Drupal. Just install the H5P and your system becomes able to create, share, and reuse great interactive content. For systems that don’t have an H5P plugin available yet it is possible to embed content using an iframe or using the Learning Tool Interoperability (LTI) standard. With the LTI and supporting APIs and specifications embedding an externally hosted H5P authoring tool is also possible.

The H5P format is open and the tools for creating H5P content are open source. This guarantees that creatives own their own content and are not locked into the fate and licensing regime of a specific tool.

Podcast with Jamie Alexandre from Learning Equality

In this podcast, I talk with Jamie Alexandre from Learning Equality. Learning Equality focuses on technology solutions which are optimized to work in areas where Internet access is lacking or costly. Their project KA Lite is an offline version of Khan Academy, used in over 170 countries. Based on feedback from KA Lite users, the Learning Equality team is actively developing Kolibri, their next generation platform which allows for curriculum alignment of a broader set of content.

Learning Equality builds educational technology solutions that leverage open-licensed content and low-cost hardware to enable a broad range of NGOs, schools, governments, and individuals to implement programs that improve educational outcomes in their communities.

 

Plateselskapene eier ikke SKAM!

De internasjonale plateselskapene eier ikke NRK serien SKAM men de styrer rettighetene til musikken som brukes i serien. Dette gjør at de nå kan tvinge frem geoblokkering av serien slik at den bare kan vises i Norge.

Skam er en nettbasert dramaserie som handler om livet til en rekke ungdommer på Hartvig Nissens skole i Oslo. Det har hittil kommet ut tre sesonger i serien som nå også har økende popularitet i utlandet. Den første episoden av Skam er en av de mest sette enkeltepisodene på NRK TV (nett-tv) noensinne og i gjennomsnitt har nettsiden 1,2 millioner unike brukere per uke og mer enn en million personer strømmer de ukentlige episodene.

Serien bruker musikk fra flere norske artister med den konsekvens at disse artistene får en helt unik profilering – også i utlandet. Et eksempel er låten «5 fine frøkner» som gjorde et voldsomt byks på Youtube etter den ble brukt i serien, låten passert også 10 millioner avspillinger på Spotify i desember 2016. Artisten Gabrielle Leithaug jublet selvsagt og hennes manager, Lars Kåre Hustoft, omtalte dette som hyggelig julegave i så sent som desember 2016. IFPI Norge og plateselskapene på sin side klarer ikke helt å se fordelen med at deres artister får denne typen gratis reklame.

Musikkrettigheter skaper problemer

Det første tegnet til problemer kom allerede i november 2016 da NRK ble tvunget til å nekte teksting av serien til engelsk på grunn av musikkrettigheter. Dette skapte en storm på Twitter som endte i et opprop som fikk 2500 underskrifter. Serien kunne altså vises i utlandet via nettet, men ikke tekstes.

Sist uke tok saken en ny vending når NRK mottok krav fra IFPI Norge om umiddelbar geoblokkering av serien slik at den bare kan vises i Norge. IFPI er foreningen for de internasjonale plateselskapene og deres datterselskap i Norge. IFPI skal jobbe på vegne av artistene, men man kan virkelig spørre seg om de gjør det i denne saken.

Dette har selvsagt skapt engasjement hos mange som elsker serien og som mener det er viktig at den vises utenfor Norge. Med den enorme oppslutningen SKAM har fått i utlandet er det vanskelig å unngå å tenke på serien som en god eksportartikkel. Jeg synes denne Facebook kommentaren til Anne Siri Koksrud Bekkelund oppsummerer dette fortreffelig.

Skam er jo vår beste eksportartikkel siden trelast, og bygger relasjoner med Kina bedre enn offentlig pisking av Dalai Lama ville gjort. Samtidig sprer serien solide norske verdier som likestilling, girl power, homo-rettigheter og ungdomsfylla! Noen. Må. Gjøre. Noe. Nå. – Anne Siri Koksrud Bekkelund

Creative Commons løser problemet

Den gode nyheten er at det finnes en løsning på dette problemet når NRK nå jobber med en ny sesong av SKAM. Den digitale delingskulturen er i dag godt utviklet. Denne delingskulturen bygger på at musikk og andre kilder blir underlagt det som kalles en fri lisens. Den mest brukte av disse er Creative Commons. Denne lisensen gir alle som ønsker det lov til å gjenbruke musikk, bilder, film og tekst uten å spørre om lov, men under gitte forutsetninger. Tillatelsen for å gjenbruke har opphavsmannen gitt på forhånd ved å bruke denne lisensen. Flere av de mest brukte CC lisensene tillater også kommersiell gjenbruk.  

Creative Commons lisens på Urørt?

NRK P3, som produserer SKAM, driver også nettstedet Urørt.no. Urørt er et nettsted hvor uetablerte norske artister og band kan promotere musikken sin, de beste blir også spilt på NRK radio. Ved å gi artistene mulighet til å lisensiere musikken med Creative Commons på Urørt.no kan NRK skape en unik mulighet for de artistene som ønsker å bidra til den globale delingskulturen. Samtidig vil NRK på sin side få mulighet til å bruke musikken med den forutsetning at opphavsmannen blir kreditert. Artister som ønsker det burde selvsagt få lov å legge ut musikk på en lukket lisens.

NRK som tross alt er finansiert med lisenspenger fra fellesskapet burde her tørre å tenke nytt. Målet må være at SKAM skal nå så mange som mulig og når musikkrettigheter står i veien for dette må man ganske enkelt komme opp med en løsning som gir maksimal eksponering av serier som produseres med midler fra fellesskapet.

More than 40% of the global population does not have access to an education in a language they speak or understand

Quality education should be delivered in the language spoken at home. However, this minimum standard is not met for hundreds of millions, limiting their ability to develop foundations for learning. By one estimate, as much as 40% of the global population does not have access to an education in a language they speak or understand (Walter and Benson, 2012).

A great part of the world’s learning content is written in English or in major languages in the industrial world. We don’t know the exact shares for the most-used languages when it comes to learning related content in particular, but it’s reasonable to assume this to be proximately equal to the most-used languages on the Internet as a whole.

As of 2015, 55.5 percent of all web content was in English, followed by the next four most-used world languages Russian, German, Japanese and Spanish, adding up to an additional 21.5 percent. Compared to this, the lack of digital resources is striking for languages like Swahili, Bangla or Hindi which are mother tongue or commonly spoken languages for an estimated 60+, 200+ and 500+ million respectively.

The simple magic of reuse, sharing and collaboration

Two weeks ago I posted a blogg with a timeline of OER. After reading this, my friends in Addis Ababa, Ethiopia picked up the timeline and translated it into Amharic. This involved a different language, different plattform and context. The common thread is H5P, a tool I have blogged about many times before, that allows anyone to create, share and reuse interactive HTML5 content in their browser.

[h5p id=”13″]

 

The important thing to notice here is that the team in Addis could reuse all the effort that I put in the timeline and at the same time just by translating it the timeline was available in a new language, something that would be impossible for me to do simply because I don´t know Amharic.

There is a growing edTech and OER community in Addis and this last weekend they organized a workshop where they also made their own timeline describing important events in Ethiopian history(see it at the end of the bloggpost). As a part of the same workshop they made an interactive test where you can test your skills on the most common Amharic words.

[h5p id=”10″]

 

This put me up to the idea that I could make a new resource based on what they have made, and in fact make an OER in Amharic, a languages that I do not master. How? I made all the «cards» in the object below based on text from the team in Addis. Our common ground is that we all understand English.

[h5p id=”11″]

 

When advocating for Open education resources, open source and open standards the message sometimes is lost in the complexity of all the technical issues. I myself have on more then one occasion struggled to explained the «magic of OER». In this case working with a small usecase like this just seams like a great way to demonstrate the magic of open educational resources.a

Check out this timeline on Ethiopian history:

[h5p id=”14″]

What can the «anti OER lobby» learn from former Microsoft CEO Steve Ballmer?

Occasionally I bump in to representatives from the «anti OER lobby» and they often start of by talking about how open educational resources ruins the marked, and if the OER is financed with public money they go on about how the government is using their position to compete in the marketplace handing out «free content».

The problem with this claim is of course that it belongs in another paradigm, a paradigm without what we now call «the internet». This is a global issue but we could use Norway as an example. The idea that the Norwegian government, municipalities  and counties should not be able to let teachers(with a public paycheck) share content on the web under a free license is just ridiculous.

Last week I met a guy from an organization that lobbies hard against OER and while talking to him I came to think about Steve Ballmer, former CEO of Microsoft. It was sort of a deja vu moment and it took me back to 2001.

During an interview with the Chicago Sun-Times on June 1, 2001 Ballmer said that «Linux is cancer that attaches itself in an intellectual property sense to everything it touches»

15 years later Microsoft has shifted their stands completely and invest substantially in open source and even Balmer himself is quoted saying «We now considers that the threat from Linux is over». Current chief at Microsoft Satya Nadella took it even further and went public 2 years ago saying that Microsoft loves Linux.

In the 15 years that has past Microsoft has lost its position in many markets and is now overtaken by Google and Android in the mobile market while Linux dominates everything from the server market to devices running in cars or in the kitchen.

For anyone that has been a part of both the open source movement and the OER movement its obvious that they share principles,  philosophy and methodology.

So my simple question is: What can the «anti-OER lobby» learn from former Microsoft CEO Steve Ballmer?